音節斷開，常規亂序，將線路重新搭上，把短路看成日常
Among the broken notes and uncontrolled disciplines, let us re-adjust the shorted circuit, and adapt to the constant impairment
對於作曲家/媒體藝術家梁基爵來說，發聲和失聲可以是一生探索的題材，前作《18種發聲與失聲的方法》就是直接了當運用M+ 大台階的地理環境和場地的優點和缺點，化作成製造和消滅聲音的靈感，再從這些發聲和滅聲的過程衍生出情節和不同的視覺效果。
《再18種發聲與失聲方法》不只是重演，更加是以全新的角度去演繹這個理念，撇除了M+的場域規限，再次運用葵青劇院衍生更多的可能性，將很多劇場上重要的元素例如不同的舞台燈光、環迴聲響、機動舞台等等重新放入作品。
除了舞台裝置和視覺素材之外，梁基爵之前在M+已經研發了全新的電子敲擊樂器，可運用物料的原音和電腦處理的聲音一同演奏，配合樂手的演奏和技巧。
Another 18 Ways to Create or Mute Sound would be a stage production based on the concept of a 30-minute showcase 18 Ways to Create or Mute Sound in late November 2021 at the Grand Stair of M+ of the West Kowloon Cultural District.
As a cross-disciplinary artist who is enthusiastic in exploring various ways to apply technology in stage productions, GayBird will further develop his idea by integrating technology such as tracking system into a grand mechanical installation in this production.
This time he will use real-time tracking techniques to respond to performers and musicians’ live performances on stage.
He will also take advantage of the venue’s immersive audio system, with his newly created instruments and performing techniques, to give audience a special and thrilling visual and audio experience.
《再18種發聲與失聲方法》🔉🔇
📍葵青劇院演藝廳
📆29-30*/7/2022 (五至六) 8pm
31/7/2022 (日) 3pm
*30/7 設有演後座談
💵$420, $280, $150
Another 18 Ways to Create or Mute Sound 🔉🔇
📍Auditorium, Kwai Tsing Theatre
📆29-30*/7/2022 (Fri-Sat) 8pm
31/7/2022 (Sun) 3pm
*30/7 With post-performance talk
💵$420, $280, $150