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2019台灣藝術市場觀察
2019 Taiwan Art Market Watch

目錄


02 Feature

寒冬裏的新機:臺灣藝術市場的機會來了? LIFE EMERGING FROM WINTER: CAN THIS BE THE MOMENT FOR THE TAIWAN ART MARKET?

畫廊新潮流:台灣私營藝術空間發展實踐 A New Gallery Trend: The Practice of Spatial Development in Private Art Space in Taiwan

眼界?路線?台灣當代藝術的新步伐? NEW STEP OF TAIWAN’S CONTEMPORARY ART? WHAT IS ITS GOAL AND THE PATH AHEAD?

藝博會的消逝 東南亞藝術市場再反思Art fair vanishes: a rethink on Southeast Asia’s art market

011 REVIEWS

無人之境:城市意象的所在No Man’s Land – Where Urban Imagery Flourishes

以東亞為視野的音樂交流─2019 桃園合唱藝術節

2019臺灣文博會「Culture On the Move-文化動動動」

013 Cover Story

能動立場: 宛儒畫廊受邀參加第五十八屆威尼斯雙年展 GAA Foundation 主辦《個人結構-開放邊界》展覽Active position: Yuan Ru Gallery was invited to participate in the 58th Venice Biennale GAA Foundation hosting the "Personal Structure: Open Boundary" exhibition

關切曾經: 連建興的記憶宮殿 Concerns of the Past: The Memory Palaces of Chien-Hsin Lien

謝宛儒建構水墨新語法JULIE HSIEH COMPOSES A NEW LANGUAGE FOR INK

行囊中,裝的擺的都是人性Inside the luggage is a description of human nature

018 Book Review

致演員:麥可‧契訶夫論表演技巧TO THE ACTOR: ON THE TECHNIQUE OF ACTING

說說MARK HOLLIS 1955-2019

020 PREVIEWS

 

封面

Candy Bird 糖果鳥
"Attic" (Details), Ink on paper, 29.7 x 21 cm, 2019
「閣樓」局部, 紙本、墨水, A4, 2019